vocal, baroque violin
Currently she is pursuing a Master’s degree in the Schola Cantorum Basiliensis in Basel, Switzerland with voice teacher Ulrike Hofbauer. Līga’s recent activities include collaborations as a soloist and ensemble singer with Música Temprana (artistic director Adrian van der Spoel), as well as with the Belgian Early Music ensemble Vox Luminis, directed by Lionel Meunier. She also regularly participates in masterclasses with artists such as Sébastien Daucé, Damien Guillon, Dorothee Mields, Philippe Herreweghe, Margreet Honig, Emma Kirkby, Andres Locatelli, Elam Rotem, and many others.
baroque violin
He is the co-founder and violinist of Red Table Ensemble, a Baroque ensemble performing rhetorical music, including 17th-century German sacred works and 18th-century Italian cantatas. Since 2022, he has also been a member of Ensemble Suspirium, touring regularly throughout the Netherlands and performing annually in Prague.
MengHan collaborates with various orchestras, including the Nieuwe Philharmonie Utrecht and Musica Poetica, and is frequently invited to serve as concertmaster by Camerata Utricia. He is also the first violinist of the H[É]ros Ensemble. In addition to performing, he composes.
In the field of historically informed performance, MengHan draws inspiration from historical sources while giving space for the present moment and human emotion to speak.
MengHan holds two Master’s degrees, one in baroque violin with Antoinette Lohmann from the Conservatorium van Amsterdam and another in modern violin from the University of Oklahoma (US).
harpsichord, organ
She pursued harpsichord studies at the Faculty of Music of UNAM in Mexico City under the guidance of Norma García González, graduating with distinction. In 2024, she completed her Master’s degree in basso continuo at the Conservatorium van Amsterdam, studying with Kris Verhelst (basso continuo) and Menno van Delft (harpsichord).
Isabel currently works as a harpsichord accompanist at the Academy of Arts in Brussels and teaches harpsichord and basso continuo at the Conservatory of Dieppe. She is also the artistic director of the Tilo Ensemble and co-founder and pianist of the Duo Lapislázuli, alongside Mexican violinist Fátima Hernández. With a deep love for historical performance and rhetorical expression, she brings sensitivity and imagination to each project she takes on.
baroque cello,
viola da gamba
Xander went on to the University of Manchester (2013-16), studying cello with Simon Turner and historical performance with Amanda Babington. After a few years working as a freelance cellist, singer and teacher, Xander decided to take the plunge and move to Amsterdam, studying at the Conservatorium van Amsterdam with Viola de Hoog (historical cello), Mieneke van der Velden (viola da gamba) and Margaret Urquhart (violone, double bass). Due to a propensity for a good bass line and a love of chamber music, Xander is much in demand as a basso continuo player on a variety of historical bass instruments in the Netherlands and the UK.